Your Footage,
Finished

Turnaround depends on the length and complexity of the edit. A short-form social cut, typically under two minutes, can be delivered within three to five working days. A long-form conference or documentary edit with colour grading and sound mix takes longer, and we agree on a delivery timeline at the start of the project. We do not quote a turnaround until we have reviewed your footage and understood the scope.

We work with all common camera formats, including LOG footage from Blackmagic, Sony, Canon, and DJI sources, as well as standard MP4, MOV, and MXF files. If you are unsure whether your format is compatible, send us a sample file before committing. We have never encountered a format we could not bring into the edit.

Yes. Colour grading and colour correction, visual effects and compositing, motion graphics, and title design are all part of what we offer. You can commission the full post-production package or specific services within it. If you only need a grade on an already-assembled cut, that is a valid brief.

Yes, and this is one of the most common briefs we take on. A single corporate shoot can yield a long-form conference edit, a two-minute summary for LinkedIn, a sixty-second cut for Instagram, and a shorter internal highlight reel, all from the same source material. Cutting multiple outputs from one shoot is efficient for you and straightforward for our editors.

Dustin Hill Productions offers both services but keeps them distinct. The editing and post-production service on this page covers projects where you already have footage and need it finished. If you need us to film as well, that is our video production service, which covers scripting, production, filming, and full post-production from the ground up. Many clients come to us for editing first and commission a full production later.

Our standard engagement includes a first cut for your review, one consolidated revision round, and the final delivery. We ask that revision feedback be compiled and sent as a single round rather than in stages, which keeps the edit moving and avoids version drift. Additional revision rounds beyond the standard scope can be agreed on at a flat rate before the project begins.

No. We work with clients across Singapore and the region, and the entire post-production process can run remotely. Footage is transferred via secure file-sharing, and review links are shared for feedback. Many of our regional clients have never needed to visit the studio. If you prefer to review cuts in person in Singapore, that is available too.

Yes. Send Dustin Hill Productions the footage you already have, and a senior editing team cuts, grades, and finishes it into video you can publish. There is no shoot required and no software to learn. Start a conversation with your footage and a brief, and we will tell you exactly what we can deliver.

Footage is transferred through secure file-sharing, so nothing depends on physical drives or being in the same city. Once we receive it along with a short brief, we review the material and confirm scope and timeline before any editing begins. The whole handover can happen remotely, start to finish, so reach out whenever your footage is ready.

In most cases, yes. Modern phone footage, including 4K and log-style profiles now common on recent iPhones and Android flagships, cuts, grades, and delivers well in experienced hands. If you are unsure, send us a sample clip and we will tell you plainly what is achievable before you commit to the full project.

Yes, and often from the same shoot. Long-form 16:9 work covers conference edits, brand films, documentaries, and interviews, while short-form 9:16 work covers Reels, Shorts, and vertical ads sized natively for the feed. The same senior editors cut both formats, so send us your footage once and ask for whichever formats your channels need.

Cost depends on the length and complexity of the footage, how many formats you need delivered, and how many revision rounds the project requires. We do not quote a price until we have reviewed your footage and understood the brief. Send us what you have and a short conversation will tell you exactly where your project lands.

No subscription. Dustin Hill Productions works per project, so a single video is a complete engagement on its own, not the first payment on an ongoing plan. Every project is quoted on its own scope and complexity after we see the brief, because no two clients need the same edit. If you are not sure what your project needs, get in touch and tell us what you want to achieve, and we will quote from there.

Both. Dustin Hill Productions runs the three parts of a video project with separate teams: pre-production for planning, scripting, and storyboarding, production for the filming, and post-production for the edit. This page is the post-production service, so footage you filmed yourselves or commissioned from another videographer is exactly what it is built for, and if you need us to film as well, our production team can take that on. Share the brief and we will edit and cut to your project's scope.